artUS PUBLICATIONS

artUS 30 2010-11
Diet of Worms: On Reading Benjamin as Pure Medium by Viola Kolarov
The Cosmic American
by William Rauscher
Mourning Gut: Shamanism in Contemporary Art
by Lisa Paul Streitfeld
Sight Unseen
by Allison Somers
The Mackeys: Performance
by Stephan Lugbauer
Devil’s Disciple: Franchise Fatherhood in Saw
by Martin Rosenstock
Crypts of Cahawba
by Michael Seth Stewart
Bride of the Un-Dad
by Laurence A. Rickels
John Baldessari
by Katherine Satorius
Charles LeDray
by Ivan Gaskell
Julian Schnabel
by Edward Rubin
Urs Fischer
by Paul Carey-Kent

artUS 29 2010-2
Ultima Multis: The Raising of Deathcare
by Adam Staley Groves
The Future of the Veil
by Brian Willems
The Untied: On Ulrike Ottinger’s The Korean Wedding Chest
by Laurence A. Rickels
The Age of Empire: Theory in the Aughties
by Sue Spaid
Paris Hilton: Be My Ghost
by Viola Kolarov
Cracks
by Allen S. Weiss
Diebenkorn Country: The Ocean Park Series
by David Carrier
Artistic Fathers and Love Triangles
by Sue Taylor
Maurizio Cattelan
by Jennifer W. Leung
Olafur Eliasson
by Maria Zimmermann Brendel
Yves Klein
by Aneta Georgievska-Shine

artUS 28 2010-1
Marina Abramovic
by Karlyn De Jongh & Sarah Gold
Ahmet Ögüt
by Joanna Szupinska
Joseph Margolis
by Sue Spaid
Freud and the Denationalization of Literature
by Benjamin Bennett
Alone: Sorcery vs. Idealization at Art Center
by Laurence A. Rickels
“Logics Of Worlds”: Subzero Intensities
by Terrence Handscomb
Vanishing Horizons:
Re-Hanging “New Topographics”
Anne Truitt
by Aneta Georgievska-Shine
Pinta Art Fair
by Edward Rubin
James Turrell
by David Moos
Art Taiwan
by David Carrier

artUS 27 2009-2
Paul Outerbridge: Lost and Found at the Getty
by Paul Foss
Basic Writing Instinct: Casing Michael Douglas
by Viola Kolarov
The Toilet Bowl and the Tea Bowl
by Allen S. Weiss
Who’s Dying, Who’s Watching Now?
by Laurence A. Rickels
Now You Don’t: The Work of Metaphor
by Shireen R.K. Patell
Diana Thater: Pet Fixations
by Brian Willems
U-Turn Quadrennial
by Sue Spaid
Kurt Kauper
by Otino Corsano

artUS 26 2009-1
Triumph of the Will: The Jeff Koons Olympiad in Chicago
by Kathryn Hixson
A Love Letter to Jeff Koons
by Alex Jovanovich
The Butterfly and the Potato: Vilém Flusser on Design
by Chadwick Truscott Smith
The Memorien of Unica Zürn
by Rike Felka
Catastrophe Preparedness: “Eight Years Later”
by Kieran Murphy
El Libro Negro: Mexico City at the Front of Antifascism
by Beth Merfish
Oranges and Sardines: Painting’s Naked Box Lunch
by Katherine Satorius
Herr Meets Hare: Donald and Bugs Fight Hitler
by Sander H. Lee
Warhol, Danto and the End of Art History
by David Carrier
Another Warhol Can’t Save Us
by Arthur C. Danto
Profile: Kris Knight
by Otino Corsano

artUS 24-25 fall · winter 2008
Naked Lunch and the Problem of Personal Identity
by Benjamin Bennett
Peter Saul and the History of Pop Art
by David Carrier
Mice in Their Million Hordes
by Sue Spaid
Jim Campbell’s Motherboard and Father Time
by Laura Richard Janku
Call Me, Joshua Abelow
by Otino Corsano
Secret Theses III: At World’s End
by Benjamin Bennett
Japanimanga and Techno-Orientalism
by Mina Cheon
Photography as Grief
by Enrique Martínez Celaya
For the Birds
by Zachary Granger Moldof

artUS 23 summer 2008
The Violence of Images, Violence Against the Image
by Jean Baudrillard
Translated with Preface by Paul Foss
Interior Ghosts: An Interview with Karin Davie
by Otino Corsano
Secret Theses II: The Novel as Armageddon
by Benjamin Bennett
Avital Ronell: The Work of Survival
by Brian Willems
Nauman, Wittgenstein, Beckett: The 1960s Studio Films
by Kathryn Hixson
Ear-Witnessing: The Devil and Mr. Gould
by Paul Foss

artUS 22 spring 2008
Child’s Play: Britney ShakeSpeares
by Viola Kolarov
Institutional Anxieties: MASS MoCA v. Christoph Büchel
by Ruba Katrib
On the Back Porch: An Interview with Forrest Williams
by Paul Foss
“Unmonumental” Times Two: The New New Museum
by Aneta Georgievska-Shine
Secret Theses on Literature and Politics
by Benjamin Bennett
The Cut in Collage: Pollock, Fontana, Matta-Clark, Ono
by Matthew Ryan Smith

artUS 21 new year 2008
The World Is Not Enough: Art and Globalization
by Rex Butler
The Ambassadors: Satan, Male Bliss, and The Filth
David Carrier On the Carpet with Oleg Grabar
by Nathan Danilowicz
The Anarchitectures of Gordon Matta-Clark and Olafur Eliasson
by Laura Richard Janku
Soma Holiday: An Interview with Richard Shusterman
by Brian Willems
Mourning Undead: The Melancholy Zombie
by Sue Spaid

artUS 20 winter 2007
European Fairytale: Once Upon the Here and Now
by Kathryn Hixson
Politically Incorrect Art
by David Carrier
Getting Over the Hoopla and Under the Art
by Sue Spaid
Lift and Separate: The Absolution of Consent
by Nancy Jones
Prosecuting the Cartography of Violence
by Ryan Griffis
Bundle Theory: Antony Gormley and Julian Barnes
by Brian Willems

artUS 19 summer 2007
Dream Fire: Ludwig Binswanger Analyzes Michel Foucault
by Eckart Goebel
Going Ape: On Ulrike Ottinger’s Prater
by Laurence A. Rickles
Back to “WACK!”: A Conversation with My Mother
by Molly Corey
Unburying the Idea: Three Textual Strategies at the Whitney
by Helena Winston
In the Name of Baudrillard–Good and Bad
by Rex Butler
Apart for Life: Kathy Acker and Her Friends
by Brian Willems

artUS 18 may · june 2007
The Occidental Death of Jason Rhoades
by Nathan Danilowicz
The Transmigration of Dennis Balk: An Interview
by Gean Moreno
Why Art Critics Don’t Matter Anymore
by David Carrier
Perpetuum Carmen: Sutapa Biswas’s Metamorphoses
by Laura Richard Janku
Loser Paradise: The Drifting Spectacle of the SI
by Sue Spaid
Slava Mogutin: Lost and Bound
by Robert Summers

issue 17 january · february 2007
Academic Communication as Witchcraft
by Albert Kümmel-Schnur
Captain Curator & Tom Sachs
by David Moos
The Uncertainty of Recent Sculpture
by Aneta Georgievska-Shine
Interview with Dennis Hopper
by Kim Bockus
Walter Benjamin’s Archive
by Maria Zimmermann Brendel
Suzanne Doppelt
by William Rauscher

issue 16 january · february 2007
Past Web Presences: A Study in German
by Rembert Hüser
Enrique Martínez Celaya: “Coming Home”
Before & After “Schneebett”
by Daniel A. Siedell
Matthew Barney’s Dawning Restraint
by Mike Rogers
Eva Hesse: Drawn Together
by Eve Wood
War Rugs: Political Art from the Islamic World
by David Carrier
Another World Turns:
Hosting Vaginal Davis’s Bricktops
by Robert Summers

issue 15 october · november 2006
It Ain’t Necessarily So: “Only Skin Deep” and the Performance of Race in Images
by Malik Gaines
The Suite Life of Damian Loeb: An Interview
by Otino Corsano
Terms and Conditions: Selling Tino Sehgal
by Nadja Sayej
Liebermann and Whild: The Garden at Lake Wannsee
by Maria Zimmermann Brendel
Queer or Qu’oran: Two Marginal Art Histories
by David Carrier
Sonic Boom, Sonic Bust: “Supersonic 2006”
by Christopher Russell

issue 14 july· september 2006
Fashion Desire: Giorgio Armani’s Art Galleries
by David Carrier
Black Box: An Interview with William Kentridge
by Laura Richard Janku
Joe Sola: Cliffhanger
by Otino Corsano
Sean Snyder: Double Dubya
by Simon Rees
Hubble Through the Looking-Glass
by Mark Alice Durant
Sheep’s Clothing: Claire Denis’ sThe Intruder
by Jennifer Krasinski

issue 13 may· june 2006
Display Time: Art’s Recess Within Advertising
by Gean Moreno
Along For the Ride: Ed Ruscha and Mason Williams
by Erik Bluhm
Bad Art and Objecthood
by David Levine
Relational Aesthetics: Artist Groups and Their Groupies
by Laura Richard Janku
House Arrest: An Interview with Van Hanos
by Otino Corsano
Art World, Mart World
by David Carrier
Sucking Ass: SoCCAS and SoCal Art Schools
by Christopher Russell

issue 12 march· april 2006
From Here to Over There: The Transubstantiation of the Private(s) in the Culture of the Mass
by Jeffrey S. Librett
Thomas Hirschhorn: Camotopia
by Sue Spaid
State of the Disunion: Hans Haacke and T.J. Clark
by David Carrier
The New Zombie: Tupac-n-Biggie in Clichy-sous-Bois
by Gean Moreno
The Theory of Whiteness:
An Interview with Tom Johnson
by Domenick Ammirati
Theater, Revolutionary or Not
by Chris K. Lee

issue 11 december 2005 · february 2006
Stupid Shit: (In)security in the Age of Twilightenment
by Richard Burt
Playing Tags: An Interview with Stephen Lipman
by Otino Corsano
Eyes Which Do Not See
by Brendan Threadgill
Two English Aesthetes
by David Carrier
Ulricke Ottinger: Totem
by Laurence A. Rickels
The New Adam of American Art
by Henry Adams

issue 10 october · november 2005
Delay in the Machine Age
Part I by Laurence A. Rickels
Part II by Nancy
Tuttle’s Armamentarium
by Laura Richard Janku
Superstudio: Paper Architecture
by Danielle Duval
Modeling the Present: An Interview with Taft Green
by Paul Foss
Minimalism’s Rubble: On William Leavitt’s & Bas Jan Ader’s Landslide (1969-70)
by Erik Bluhm
Atrocity & Empathy: On Reading Virilio Through Eisenman
by Juli Carson

issue 9 july · september 2005
Marcel, Metaphor, and Metamorphosis:
The Studio Visit in À la recherche du temps perdu
by David Carrier
Sue de Beer: Visitation Rites
by Laurence A. Rickels
"I like Gates. You like Gates?"
by Domenick Ammirati
Old-World-New: Art Bands in L.A.
by Alex Segade
Bad Blood: An Interview with Marlene McCarty
by Rachel Kushner
Facing War: The Good, the Bad, and the Nazi
by Paul Foss

issue 8 may · june 2005
Five Paragraphs on Sol LeWitt
by Juli Carson
The Walid Raad Files
by Andrew Madrid
Wake the Sleepers
by Lisa Kirk & Keith Mayerson
Siebren Versteeg: Dazed and Confused
by Michelle Grabner
Attack of the Kleins
by Benjamin Bennett
Speak, Memory: An Interview with Molly Corey
by Otino Corsano

issue 7 march · april 2005
Civil War in My Heart: Notes from the National Mall
by Mark Alice Durant
Deer Dairy
by Domenick Ammirati
Necrospective
by Tom Allen
Off the Grid: Louise Bourgeois’s Recent Drawings
by Nancy Princenthal
Unmastering de Kooning
by David Carrier
Be Here Now (and Then)
by Nancy Barton

issue 5/6 january · february 2005 Demockery
It’s a Word! It’s a Claim! … :
Modernism and Related Instances of an Inherently Discredited Conceptual Type
by Benjamin Bennett
Hitchcock’s Black Sun
by Georges Collins
The Axes of Evil: A Nietzschean Test Site
by Avital Ronell
The Center Is a Concept
by Kay Rosen
An Historic Document of Scholarly Interest,
Rescued from an Obscure and Mouldering Archive,
Preserved by Gary Indiana
The Tall Towers of Art Spiegelman
by Nancy Princenthal
Images in the Mind:
Visual Studies and Global Imagination
by Susan Buck-Morss
The Portrait Under Surveillance
by Laurence A. Rickels with Penelope Gottlieb

issue 4 september · october 2004
I Believe in Thomas Kinkade
by Mike Rogers
Seeing Cultural Conflicts
by David Carrier
The Public of Art: Interview with Okwui Enwezor
by Lara Taubman
Bridging the Contemporary Past
by Tom Allen
Martha Rosler, FYI
by Elisabeth Kley
Curtain Call
by Nancy Barton

issue 3 june · august 2004
Metropolis, California
by Laurence A. Rickels
Minimalism at the Moment
by Jeremy Gilbert-Rolfe
Devil May Sign
by Richard Hawkins
Risking All For Goldstein’s Art
by David Carrier
The Invisible Photographer
by Christopher Russell
Grassroots Culture, Los Angeles
by Robert Herbst

issue 2 april · may 2004
The Experiential Paradigm:
The Power to Cause Things to Happen
by Sue Spaid
The Loss of Charm and Other Matters
by Jeremy Gilbert-Rolfe
Cover Story
by Paul Foss
Noah's Art
by Meg Cranston
Robert Hughes's Season in Hell
by Nancy Princenthal
Analysandom: A Play
by Lisa Lapinski

issue 1 january · february 2004
On Ghost Writing: The Fae Richards Archive
by Abigail Solomon-Godeau
The Place of the Aesthetic in Postmodernism,
Part II by Jeremy Gilbert-Rolfe
Zizek's Theology and the Theory Wars
by Kenneth Reinhard
A Painter's Vote
by Laura Owens
Ten, a Number between 9/11
by Hirsch Perlman
Up Close and Personal
by Jeanne S.M. Willette

inaugural issue november · december 2003
In Praise of Anachronism: Public Art & Its Critics
by Nancy Princenthal
The Place of the Aesthetic in Postmodernism, Part I
by Jeremy Gilbert-Rolfe
Artforum, Barthes, and Me
by Gary Indiana
Decade Trouble
by Barbara Kruger
The Star-Mangled Ninth
by Paul Foss
Soft Wishing Y (for 9/11)
by Gregory L. Ulmer

artUS back issues
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